During the period of 1958 to 1960, the legendary saxophonist Stan Getz graced the stages of Sweden with his mesmerizing live performances, leaving an enduring impact on the country’s jazz scene. Known for his warm tone and lyrical style, Getz captivated audiences with his mastery of the tenor saxophone and his ability to convey deep emotions through his music.
Getz performed at various renowned venues across Sweden, including the prestigious jazz clubs Nalen in Stockholm and Jazzhus Montmartre in Copenhagen (Denmark), which attracted jazz enthusiasts from near and far. These intimate settings allowed the audience to fully immerse themselves in the rich and melodic soundscapes created by Getz and his fellow musicians.
During his performances in Sweden, Getz collaborated with a host of talented artists, both local and international. Swedish jazz musicians, such as pianist Jan Johansson and trumpeter Bengt-Arne Wallin, shared the stage with Getz, resulting in vibrant and dynamic musical exchanges that showcased the fusion of different styles and influences.
One notable event during Getz’s concerts in Sweden was his performance at the 1958 Stockholm Jazz Festival. The festival brought together jazz luminaries from around the world, providing a platform for artists to showcase their talents. Getz’s performance at the festival captivated the audience, as he demonstrated his virtuosity and unique improvisational skills. His soulful rendition of “Desafinado” during the festival further solidified his reputation as a master interpreter of Brazilian bossa nova.
Overall, Stan Getz’s live performances in Sweden from 1958 to 1960 showcased his incredible talent, bringing together audiences and musicians in awe of his musical prowess. His collaborations with local artists and notable appearances at prestigious events contributed to the enrichment and growth of the Swedish jazz scene during that era.
Credits
- Arranged By – Bengt Hallberg (tracks: 1-5 to 1-7, 1-9 + 2-2 to 2-5), Erik Norström (tracks: 1-3, 1-10 + 2-6), Jan Johansson (tracks: 1-1, 1-2, 1-4 + 2-1), Lars Gullin (tracks: 1-8)
- Baritone Saxophone – Lars Gullin (tracks: 1-1 to 2-6)
- Bass – Georg Riedel (tracks: 2-7 to 2-9), Gunnar Johnson (tracks: 1-1 to 2-6), Ray Brown (tracks: 2-10, 2-11), Torbjörn Hultcrantz (tracks: 2-12 to 2-14)
- Design – Nilla Westin
- Drums – Ed Thigpen (tracks: 2-10, 2-11), Joe Harris (tracks: 2-7 to 2-9), Sune Spångberg (tracks: 2-12 to 2-14), William Schiöppfe (tracks: 1-1 to 2-6)
- Liner Notes – Jan Bruér
- Photography By – Bengt H. Malmqvist
- Piano – Bengt Hallberg (tracks: 1-5 to 1-7, 1-9, 1-12, 1-13, 2-2 to 2-5), Bosse Söderman (tracks: 2-12 to 2-14), Jan Johansson (tracks: 1-1 to 1-4, 1-8, 1-10, 1-11, 2-1, 2-6 to 2-11)
- Producer [Album Producer] – Lars Westin
- Remastered By – Rune Persson
- Tenor Saxophone – Bjarne Nerem (tracks: 1-5 to 1-7, 1-12, 1-13, 2-2 to 2-5), Erik Norström (tracks: 1-1 to 2-6), Stan Getz
- Trombone – Åke Persson (tracks: 1-1 to 2-6)
- Trumpet – Benny Bailey (tracks: 1-1 to 2-6)
Notes
CD 1, tracks 4-7, 12-13 & CD 2, tracks 1-5 recorded September 15, 1958.
CD 1, tracks 8-11 & CD 2, track 6 recorded September 16, 1958.
CD 2, tracks 7-9 recorded at Solliden, Skansen, Stockholm, July 6, 1959. Introduced by Olle Helander of the Swedish Radio.
CD 2, tracks 10-11 recorded at Stockholm Concert Hall, March 22, 1960.
CD 2, tracks 12-14 recorded at The Swedish Radio, Stockholm, July 29, 1960.Nos 3 and 7-14 are previously unreleased recordings. The rest of this material was previously issued by Dragon on LP in 1988 (DRLP 157/58).
Barcode and Other Identifiers
- Barcode: 7391953002634
- Barcode (Text): 7 391953 002634
- Rights Society: BIEM/n©b